VIDEO ARMAGEDDON: COBRA.
Posted on December 8, 2010 2 Comments
Today TNUC begins assaulting you with VIDEO ARMAGEDDON. This will be an on-going feature on the site, spotlighting forgotten and short-lived video game wonders.
VESTRON.
Posted on November 30, 2010 Leave a Comment
I want to live in this video…
THANKS.
Posted on November 25, 2010 5 Comments

As the end of each year approaches, TNUC Enterprises continues to be surrounded by John Candy films. Aside from the obvious Thanksgiving theme in Planes, Trains and Automobiles, for some reason most of his movies fit most comfortable and work so well around the holidays.
Released in 1989, Uncle Buck shows Candy playing the most sincere and genuine character he’s ever played in a movie, and he does it with ease. You instantly fall in love his character and everyone I know can always associate Buck with someone they know in their lives. The combination of John Hughes’s writing and John Candy’s on-screen abilities delivers an untouchable realness that so many filmmakers fail to accomplish these days (be sure to read our post about John Hughes too).
This song is pulled from the epic final scenes of Uncle Buck, when Buck says his goodbyes to the young girl in the film and gives one of the finest freeze-frame faces ever to be captured on screen. Not many times in cinema does an actor deliver a performance where you forget at times that he/she is really acting. Hugh Harris’s ‘Rhythm Of Life’ will surely get your heart pumping and make you want to raise a holiday beer in the air. The piano intro, pummeling drums and unexpected saxophone are so powerful that they leave many people weeping a little as they see Buck take a final bow before the closing credits arrive.
Thanks John. This holiday beer is for you.
STEVE MOORE’S PRIMITIVE NEURAL PATHWAYS + LIVE REVIEW.
Posted on November 19, 2010 1 Comment
The patrons inside the Brooklyn Bowl thought they were just out for another night of fun, laughter, and live music…..the ones that survived will never forget that terrifying evening.
It was just another typical fall saturday night at the alley. The bar was packed, the lounge was occupied by beautiful women, and the lanes were crowded with bowlers and onlookers. The dance floor in front of the stage was packed with all walks of life displaying their favorite dance moves. As the house music faded and lights dimmed to a faint glow, a certain unease filled the air. The silhouette of a man crept out from the shadows of the stage and took a seat behind an array of keyboards. The sounds that began unfolding out of these machines stopped the patrons and bowlers dead in their tracks.
The unnerving sounds and pulsating rhythms were being produced by none other than Steve Moore himself. Instead of performing songs from his vast catalogue, Moore created one long movement that was equal parts Unsolved Mysteries and dance floor worthy. Some were so frightened they could not move and others became possessed by the beat. Either way, he captivated the alley by inducing the people in a trance.
Here at Camp TNUC we are big supporters of Steve Moore and all his efforts, but can you imagine the people who had no idea what they were about to experience?! Even as a fan you can never be too sure……I’m sure a few high games were jeopardized and first dates became real creepy. However this is right up our alley (no pun-intended)
I wonder if he considered playing the soundtrack to the bowling horror film, ‘Gutterballs’, as his alter-ego Gianni Rossi?
THE COOLEST MAN ALIVE.
Posted on November 16, 2010 5 Comments
Face it, you’ve heard the song 49,876 times. But have you seen the following?
Press play and hold on to your privates…
LEGEND.
Posted on November 6, 2010 5 Comments
From Cinefamily.org…
What’s cooler than a strikingly hot Helen Slater as a teenage Texan Joan of Arc in a a ripped-sleeve wetsuit, emotive declarations punctuated by Human League drum machines, and a fight over Honda scooter catalyzing a social movement? That’s right — NOTHING! Which is why Cinefamily is thrilled to present an ultra-rare screening of the unjustly obscure, feminist-flavored juggernaut The Legend Of Billie Jean. Billie Jean just wants what’s fair: for the bullies that trashed her brother’s scooter to pay for the repairs. But her attempt to collect avalanches into a series of worse injustices that send her, and her gang of teen runaways (including Yeardley “Lisa Simpson” Smith), on the lam. Her quest of justice incites a full-on teenage revolution and poises Billie Jean as a modern day messiah for wayward girls everywhere. Jammed with wall-to-wall synth-pop from the likes of Billy Idol and Pat Benatar, Billie Jean is the empowering, hilarious, and all-together awesome ‘80s epic that Makes A Difference. So get those fists in the air! ‘Cause fair is fair!









