CRUDE DUDE RECORD REVIEW #1.

Crude Dude Manifesto:
||| Scholars proclaim that the official “era of the Crude Dude” is 1989-1993. This truly is the grand finale and last hurrah of the feel-good-party-metal scene. During this five year span, there was a distinct image that people seldom discuss. Gone was most of the make-up and spandex of previous years and in came Baja sweatshirts, extra-large holes in the knees of jeans, babes with longer butts and California-muscle tank tops (see Vince Neil in the first years after he left the Crüe for exact representation). For reasons unknown, this beach-bum-party-dude attitude took over but didn’t last long. Much like Cro-Magnon man, they ruled the land but unfortunately were facing an expiration date. It was only a matter of time before MTV, radio and record company pigs would turn their backs on these bands in favor of a moody and dreary alt-rock scene.

In the wake of their critically acclaimed mixtapes Two Crude Dudes and Two Crude Dudes: Part Deux!, TNUC & Mike Ballermann have started a series of Crude Dude album reviews to celebrate the most overlooked record releases of the most overlooked and misunderstood era. Our quest is not to talk about the bands that changed their sound during this time and tried to “adapt” to what were the present humdrum stylings, because we all know there were plenty of bands that went that route. Our mission is to spotlight the bands that sharpened their sound and took it to the edge…the pier…the brink. The bands that stayed true to what originally made them the appealing, roaring, Crude Dudes of rock that we witnessed from the get-go. By the time grunge hit, many bands were just preparing to hit their peak and missed their chance to reach the masses. What some people don’t realize is that many of these bands were improving during these years, fine-tuning musically and perfecting their craft as Crude Dudes in society. In all seriousness, while the vast majority were turning to alt-rock, there were still a number of talented bands making killer records that even to this day people don’t talk about. We’re here to rocket these records out of the crypt in a series we’d like to call…CRUDE DUDE RECORD REVIEWS |||

CRUDE DUDE RECORD REVIEW #1
DANGER DANGER – SCREW IT! (1991)
Review By: Mike Ballermann

Take off your shades slowly, wipe your eyes and look again closely. The cover artwork for Danger Danger’s massively overlooked 1991 opus Screw It! portrays a giant, bad ass heavy metal chimp, rope-swingin’ in the jungle with his tongue flapping in the wind. Obviously he’s carrying a busty, sparsely-clad blonde who happens to be sucking on a banana. When you flip to the backside of the record, if you do happen have reading capabilities, you’ll find song titles such as “Slipped Her the Big One”, “Get Your Shit Together”, “Crazy Nites”, “Everybody Wants Some” and “Horny S.O.B.” This is right around the time when you realize you’re in the right place! Before we continue, a little about the band itself. With the reckless, yet happy-go-lucky, all day sunshine sound that they produce, one would immediately swear to the Gods of rock that these Crude Dudes hail from Los Angeles, when in fact they’re actually based out of New York.

First off, a serious warning. Kids….this is the type of album that once it begins spinning at your party, the girls are likely to rip off their shirts and bang their hair in the wind without restrain. The dudes on the other hand will start jumping around like chimps hopped up on Peruvian white. Last but not least, the nerds will throw their glasses on the ground to scrunch’ em, and drink hard liquor straight from the bottle for the first time ever in their sheltered lives. The promise-to-party instinct will arise like never before.

As we take our first dive into this wicked necronomicon, we begin with some wild jungle beats and monkey screams, featuring original moans and groans by porn goddess Ginger Lynn (pictured). This introduces the album properly and sets you in the correct neanderthalic mood of what is to come. Suddenly, the ultra-hymn “Monkey Business” begins, with a refrain that proclaims “Climb up on my tree, monkey around with me”. You need to let your hair down immediately on this one. “Slip Her the Big One” is next, complete with heavy drums and keyboards that set the sound for riding your chopper through foggy alleyways at night, to arrive at the local neon-lit rock & pool bar where upon entering, you discover that sleeveless denim vests, ripped jeans, snakeskin boots, denim hotpants and white leather/studded neckbands are the standards for the dress code for boys and girls alike. “Everybody Wants Some” hits exactly the same vein, so feel free to sing along with a clenched fist in the air.


The build up to the slick, emotional guitar solo in “Beat the Bullet” creates the ideal vibe for overlooking the city lights from your apartment in a moment of mediation. When the heavy guitar work and pummeling drums set in, you’ll want to pedal to the metal and face any fight. “Get Your Shit Together” is the 100% Crude Dude Approved track on the album. Upbeat drums combine with pile-driving guitars and lyrics that lay down the law for any smartass who dares walk into your territory wearing a Pearl Jam shirt. Two power ballads, “I Still Think About You” and “Comin’ Home” grace the album and give the ladies something to loosen up to. Then it’s time for the relentless, ultimate party anthem, “Horny S.O.B.”. Crank this one to its maximum potential because this is more than a song. This one features an uber-cheery main riff matched with possibly the most sincere vocals in the history of the recording industry. This little number is an invitation (or perhaps a warning?) to any fun-loving hardbody to drop everything and party with the Crude Dudes. Whether they be working in the bikini shop or at the local galleria, hanging out at a Danger Danger concert or grabbing a drink and picking a fight at the Double Deuce. This album is the cure to any bookworm or wallflower who needs a release.

Mike Ballermann’s advice: “Listen to this album at least once a day to get your mind irreversibly stone-aged!”

CRUDE DUDE RICHTER SCALE = 5/5 PERSONAL PAN PIZZAS

Buy Screw It! here

LOVELOCK::THE INTERVIEW.

 

LOVELOCK is one of those projects that instantly upon hearing the demos/edits/remixes way back when, I was removed from a world of ipods and digital music and sunk into an underwater galaxy of adult disco, stainless-steel luxury sport vehicles and Banana Boat Tanning Oil commercials. Roughly six years later the debut album, Burning Feeling now surfaces with a release date this week, proving that the wait was well worth it. The songs on Burning Feeling take you on voyages to destinations unknown, whether you want to go or not. I could be fresh off listening to a Slayer record but if ‘Deco District’ or ‘Maybe Tonight’ is up next on my receiver, it’s like nothing existed before these songs. TNUC is in no place to review an album as “real disco”, I don’t have enough of a disco/dance historical background to do so. But if I were to take a stab at what sounds like authentic disco, I can’t imagine a stronger sound. This is adult disco for real men and real women. 
 
TNUC had the recent pleasure of interviewing Lovelock a.k.a. Steve Moore. Here’s how it turned out… 
 

T: How did the Lovelock project start and what sparked it? 

SM: It was 2006 – I was deeply in debt and suffering from some kind of tour-related PTSD.  Zombi was just coming off an epic 3-year tour of the American Midwest.  Writing disco/dance/pop music just seemed like the next logical step.  It was sort of like a retirement project, like some guys move to Florida and build ships in a bottle.  In hindsight that probably would have been a much better idea.  My buddy Doug Mosurock came up with the name.  Of course Ray Lovelock (Let Sleeping Corpses Lie, Autopsy, etc) was the inspiration.

 

 



 
T: Why now? What made you decide “ok this is being released finally”

 

SM: It wasn’t by choice. This album was finished in 2007, and I spent a ridiculous amount of time and energy trying to find someone to release it in 2007. I was way out of my element though. I had no idea what I was doing. I had a few labels I was talking to but nothing panned out. In late 2009 I hooked up with Prins Thomas, who said he’d put the album out on his label. I was a fan so it was an honor, and it seemed like a good fit. Two and a half years later and here we are.
 
T: Rumor has it that Bertie Higgins dropped out last minute on a collaboration with you on this album because he saw your recent photos in your RA interview and said that not only was your hair not feathered, but your beard and stache were not up to par. Did anyone else guest on the album? 
SM: I blew my entire budget on the two Barbara Beaches cameos.
 
T: What synths are you crushing on this album? 

SM: Korg Polysix, Sequential Prophet 600 and Pro-One, Moog Little Phatty, Sound Lab Plus Mini Synth, Elka Rhapsody, Crumar DP-50, Sequential Drumtraks, Simmons SDS 8, Univox SR-95, Roland CR-78.  Some softies too – Native Instruments FM8 loaded via SySex with DX7 factory patches, fake piano, fake rhodes.  Some drum samples from a very rich and influential/controversial southpaw drummer/singer/songwriter.  And of course my Geddy Lee signature series Jazz Bass.

T: I believe I recall reading an interview you did that said the songs on this album are most likely the last you’ll do. Why is that? Nothing gold can stay? 

SM: Lovelock has become a remix-only project.  I can’t picture myself doing another album like this.  Must have been the Post-Tour Stress Dissorder – for some reason I got it in my head that I wanted to be the center of attention, you know?  I think I may have even wanted to become “famous.”  It’s all a blur now – I’m in a different place.  Now this stuff seems like ancient history – the “newest” song on this album (“New Age of Christ”) has been finished for over four years.

 

T: To me, the perfect Lovelock live show would need to take place either at Red Rocks Amphitheater at dusk or on a private yacht with its anchor dropped in the middle of the Caribbean. In your mind, what would be the ideal venue for the ultimate and mega-exclusive Lovelock live event? 

SM: The lounge at Al Monzo’s Palace Inn, Monroeville PA.  Sadly, the place no longer exists.  It was a warp zone straight to the 70s.  White stucco walls, dark wood beam ceiling, leather lounge chairs with brass studs around a long, table-height bar.  Low lighting, always smokey.  Stained glass.  Filled with senior citizens.  Tabletop Pac-Man machine.  The obligatory televisions for watching sports but only like golf, or boxing or horse racing.

 
T: One of my serious dreams for TNUC is to have a massive and absurd collection of merchandise, like stuff that you really don’t even need or use. Similar to that scene in Wayne’s World where Garth is lounging back in his chair decked out in full Reebok merch. If some lucrative, corporate-pig record company handed you a check for $50,000 strictly for designing Lovelock merch items, what sort of obscure items would adorn the Lovelock gift shop?

SM: Life preservers, sun screen, visors, blue blocker shades (the kind that fit over prescription glasses), first aid kits, fishing lures, golf gloves and tees, nicotine patches, lighters, lawn chairs, lawn darts, wind chimes, grill accessories, leather conditioner, snuff boxes and humidors, beer pitcher and pint glasses set, hair tonic, moustache grooming kits, arch support shoe inserts, hot water bottles, acetaminophen gelcaps, toilet paper, support socks.

 

T: Can a Billy Ocean “Lovelock remix” happen? Or even a cover? My friends/colleagues and I can pool some cash to fund it. I know you love some Bill.

SM: Big fan, definitely.  The problem there is that his songs are too perfect.  I’d rather remix someone like Usher.  Take a really strong singer and put his vocals in a sort of Billy Ocean setting.  Like that “DJ’s Got Us Falling in Love” song.  I could make that work.

 

T: Did you ever have any Lovelock-ish ideas for songs, artwork, videos, etc. that just didn’t work out for whatever reason? And if so, would you care to share any? 

SM: Oh man I have tons of abandoned song ideas on an external hard drive.  At least another album’s worth.  If all goes according to plan nobody will ever hear any of it.

 
T: A beautiful, exotic Cabana girl is swaying effortlessly in a hammock on a remote island with “South Beach Sunrise” playing over and over again. What native fruit is she seductively snacking on as she sways in the wind?

SM: The Fruit of Despair, borne of the Tree of Longing.

 

T: Any last words for the Lovelock legions? 

SM: Keep one foot in the gutter and one fist in the gold. 

 

 

DEEP MOUNTAIN MEDITATION MIX.

“You find yourself in a remote region of the Orient. All around you is a dense, lush, mountainside jungle. For hours you continue to climb uphill carrying the weight of the defeat of your brother, your families honor, and the hopes of your country. But you must come here to complete your training, it’s the only way.

The air around you is calm and still. The only sound is a light whistling wind blowing through the trees, a running stream, a crackling fire, and the constant buzz from cicadas. Your training now awaits. You will learn to breathe, to focus, to stretch, to harness and control a great inner strength only to be unleashed in occasional bursts of spirit.

After months of training, you are finally ready to train at Stone City. At the heart of Stone City is a forbidden temple shrouded in centuries worth of mystery. The ruins of a once great city, a city that birthed generations of ancient warriors and fighters. With bruised shins, burning pride and a hardened mind and body you enter the temple. You feel the connection of all that is around you. You feel an immense sense of history, a deepened sense of sadness and nostalgia, you feel all of it come to you in this moment and it LIFTS YOU. You look up and a majestic hawk soars overhead, it’s cry echoing across the whole ruin. Now your final preparations can begin, for soon it will be your time to enter the ring. A lone warrior. A mercenary man.”

-Kurt Sloan




Track-list:
1. ANCIENT MIST
2. TAI CHI MORNINGS
3. REFLECTION (ON MY OWN)
4. MEDITATION “The Peak” 
5. BURST OF SPIRIT
6. WARRIOR WISDOM
7. HOLD ON TO THE VISION 8. STONE CITY
9. FORBIDDEN DREAMS, FORBIDDEN LANDS “The Dream”
10. CLOUD OF ENLIGHTENMENT
11. REMOTE MOUNTAINTOP TRAINING
12. WHISTLING WINDS
13. FOCUS AND HONOR
14. MERCENARY MAN “The Ultimate Test”
15. BLINDFOLDED FOREST ROAM
16. SHINS HITTING BANANA TREES
a) Exhaustion
b) Soaring Hawk Inner Strength
c) Rise
17. THE LEGEND ECHOES OVER CRACKLING FIRES

AOR DISCO.

CLASSIC ADULT ORIENTATED ROCK: REVIVED, REMIXED AND RE-EDITED

AOR Disco was started in 2009 by Matthew Hamilton with a mission to rediscover the lost golden age of Adult Orientated Rock. From the beardy acoustic era of late 1960s Laurel Canyon to the white-suited Yacht Rock yuppies of the early 1980s, AOR Disco seeks out the best in vintage Californian drive-time hits, soft-rock disco, psychedelic funk, and the kind of obscure album tracks you might find at the back of your dad’s record collection.

This isn’t some guilty pleasures site however. Having been misunderstood and marginalized by the music press for decades AOR is finally being given the love it deserves by a new generation of DJs and producers who give the old classics a very modern shine whilst retaining the spirit of the originals.”

AOR is back and you need never say sorry for liking this music ever again.

This past weekend, when TNUC drove up to his chosen make-out point of the week (Point Dume in Malibu, CA) to park with his #1 damsel, the radio was strictly set to nothing but hours of AOR Disco. Let it be known, there are no shortage of make-out destinations to choose from – “The Curve” in the Pacific Palisades…plus just about anywhere on Mulholland Dr, Pacific Coast Highway, Santa Monica Pier, Santa Carla Boardwalk, etc. But besides scenery, the ideal make-out spot needs to be soundtracked by a hearty chunk of tunes. Without the right background music, you might as well be boppin’ your bologna at home to the Sear’s catalog. Take for example this edit of the Steve Perry solo cut ‘She’s Mine’ from his big 1984 solo debut, ‘Street Talk’. The track has been re-touched and dragged out into a 7min. jammy abyss, which delivers just the right atmosphere for just the right activities.
Just look at Steve and Sherrie, of ‘Oh Sherrie’ fame, having what appears to be a lighthearted popcorn party in the kitchen. You better believe that not pictured in this photo is a stereo on the countertop streaming the kind of AM gold that you’d hear on AOR. Hit the download button on this slow burner and have a listen/download to another one of my favorite AOR jams at the moment.

 Black Sabbath – Planet Caravan (DJ Steef Edit) d/l
van dusk

CRYSTALS IN THE LABYRINTH.

If you find yourself venturing through a labyrinth on your next family outing or nature walk dreamscape, one of your mystical encounters might be with crystal balls. Once you’ve met various creatures along your path and pass through the Bog of Eternal Stench, eventually Jareth, the King of the Goblins (David Bowie) will show you a thing or two about crystal ball contact juggling.
 
Actually, the man behind the curtain performing this trickery in Jim Henson’s Labyrinth is Michael Moschen, who you’ll see demonstrating this in the video below.

TWO CRUDE DUDES MIX.

It’s 1991. In most corners of the world, the big names in party metal/hair metal have unexpectedly been kicked to the curb. This is both frustrating and confusing. Grunge and alt-rock are on the brink of exploding onto the music scene and you’re feeling pretty lost. Why would anyone dream of giving up on feel-good party-anthems? Give up on screeching, larger-than-life guitar solos? Who wants to be moody and go to the coffee shop when they can get wild and score babes? It all seems like a bad dream that you need your mom to wake you up from.

But there you sit on the couch watching TV, switching between American Gladiators and music videos, one leg raised up on the arm of the couch, wearing buzz-sawed denim shorts, an Aerosmith combination cut-off/belly shirt, Converse high tops with the over-eggagerated-sized tongue sticking out, and a mop on your head that your corporate father can’t bare to look at. For some reason MTV isn’t playing any of your go-to bands. No Skid Row? Mr. Big? Slaughter? White Lion? Leatherwolf? Winger? Ratt? Also, you just remembered that MTV’s annual ‘Spring Break’ was scheduled to air this week, with Pauly Shore hosting and a special live show from Vince Neil. A queasy feeling enters your stomach and your vision becomes altered. All you can make out is a blur of flannel and short hair. You need OUT OF HERE. You just remembered that earlier that day you pumped out the last remaining fume of your bottle of Aqua-Net so you decide to head to the mini-mart to pick up a new jumbo pack. You also cannot stop thinking about those tasty microwavable burritos and frozen fruit concentrate that have been your daily diet all season. The teachers at school are begging you to follow some sort of new, balanced ‘food pyramid’, but you have other plans.

Immediately upon arriving at the mini-mart you open the door and what you hear on the stereo you can hardly swallow. It’s absolutely the worst, dullest excuse for music you’ve ever heard. Sure, for years your sister has listened to some really sickening material, but this is different. This is clearly by a band that thinks they are rock’s newest juggernaut. You fear the worst but you know it’s inevitable. This is the sound that will shape music for the next few years. Weak guitar tones, whiny vocals by some neutered-sounding male and drums that sound like they are banging on trash can lids and most depressingly, GUITAR SOLOS DENIED!!
 
You feel like fainting and calling it a day, but the ding! just went off on the microwave and you figure maybe its a frozen burrito that will save your life. As you pass the Slush Puppie machine, people look at you strangely…analyzing your civilian wardrobe. All of a sudden out of nowhere a man comes up to you and passes you something that instantly washes over you and nurses you immediately back to full-throttle health. It’s a mixtape that reads Uncle TNUC and Mike Ballermann’s TWO CRUDE DUDES MIX :: 12 Tracks of Twisted Steel & Sex Appeal”. You exit the mini-mart, pop the mix in your tape deck and turn it up to 11. At last, life remains fully functional.
 
If you’ve experienced symptoms like this in the past and need a release like no other, here’s an over the counter drug with your name written all over it. Download and TURN IT UP (track list in comment section).

a23a6-crude2bdudes2b5If your memory serves you right, this photo of five CRUDE DUDES pretty much resembles what the guy at the mini-mart that passed you this life-saving, life-changing mix of music looked like.
Below are images of various, real-life pairs of CRUDE DUDES to set the scene for what you’re listening to.

Don’t forget to watch the trailer!