GRAVE ROCKING.

I don’t know about you, but I sure as hell spend a lot of time thinking about graveyard music videos. Nothing glues me to the tube harder than a group of rock warriors around a moonlit cemetery, drenched in fog. It’s basically my bible. My reason to go on.

There’s something so flawless and aesthetically *right* about a band rocking around all that death in the air. Even the low budget efforts or lazily put together ones with foam tombstones from Dollar Tree are completely fine. But my favorite burial ground ballads are the ones that blend seamlessly with the eerie atmosphere and cool guitar moves, while vocalists in power stances and drummers in a whirlwind of hair do their part. You mix this concoction with a bunch of rotting graves and creaky gates and it’s a recipe for success.

In honor of October, here are my current favorite grave rocking videos.

Swedish doom at it’s finest. This is the one I feel most immediately comes to mind when you think of graveyard rocking. Candlemass singer Messiah Marcolin rises from his coffin and terrifies everyone with his Satanic-Diana Ross hair and the priceless facial expressions. The low-fi graininess of is so perfect for what this video accomplishes.

I don’t care how many times I’ve heard it, it’s one of those rare songs that I never tire of (“Don’t Fear the Reaper” is the other). Written upon request by author Stephen King for the 1989 film adaptation of Pet Sematary, it’s the perfect grave stomping anthem for driving around in the Autumn weather. This is one of those videos where you can watch it anytime of the year and feel the cold magic in the air. Perfect novel, perfect movie and perfect song.

The King’s tribute to Gothic horror movies is in full effect over the foggy gravestones in this video from the 1989 album Conspiracy. While King Diamond and Mercyful Fate have a number of videos featuring church settings and old castles, in my research “Sleepless Nights” is the only one with the band rocking in the cemetery. One of the immortal kings of Halloween!

People complain about music videos not being worth a damn these days which for the most part is probably true given the death of MTV a long time ago and record labels going on a downward spiral since streaming music took over. Ghost’s “Lachryma” is the only modern music video on this list because Ghost continue to exist on their own plane. They record music, make videos and operate like it’s 1984 where everything is thrown on the table. This video looks straight out of the Nightmare on Elm Street: Dream Warriors movie set with the band looking natural as ever playing behind misty iron gates.

Time to get regional. Power metal warriors of Rhode Island MATTAIS STEELE shot a music video in a local graveyard in Connecticut complete with Zubaz pants and a microphone headset. This video was made possible by Richie’s camcorder, 4 scortching hot black coffees from Dunkin’s and a dozen clam cakes. The entire video is worth multiple viewings and just wait until you see the power-leg-stance on a tree. I seriously dig the song though. It’s very Queensryche. Thanks to my friend Dean (@negativecreeps) for sending this my direction!

Save the best for last. What can I say about this beauty that Uncle T hasn’t proclaimed and sung the praises about so many times? Dokken’s “Heaven Sent” video is 5 minutes of PURE moonlit metal bliss. From Don Dokken’s ‘gambler’ hat — to the perfect Goosebumps-worthy graveyard — to the silhouette of George Lynch blazing that guitar solo under the foggy moonlight. It’s absolute perfection and I have chills right now.

According to legend, the “Heaven Sent” shoot was supposed to take place in an actual cemetery but the town wouldn’t allow them to film on the grounds. Dokken were in the middle of a tour, so they decided to construct a fake cemetery directly outside of the actual one. The names on the cardboard tombstones are of the band and road crew!

What are your favorite graveyard rockers and what am I missing?

HAUNTING THE CHAPEL, PART 2.

[Continued from Part 1] Today’s haunt of a chapel was another spontaneous discovery which are always the best kind. The tires of my Jeep literally screeched when I almost drove right past this Gothic stone structure in the Godforsaken town of Washington, Massachusetts. It beckoned me onto it’s ancient soil…and I answered its call.

St. Andrew’s Chapel – Washington, MA

This was one of those Autumn excursion stops that felt meant to be. This wasn’t something we were seeking out to do that day but for whatever reason I traveled down this dusty road and came upon a classic chapel in the middle of nowhere.

Built in 1899, it’s style is stone Gothic revival. The chapel was built as a gift to George Crane, a wealthy New Yorker who spent summers at the estate next-door called the Bucksteep Manor. At the time of my haunting I did not come across any place called Bucksteep Manor or its remains. Believe me with a name like that, I searched for it.

While it’s wood & iron doors were locked shut and the stained glass made it extremely difficult to see inside, I’m sure the interior is stunning considering how it looks from the outside. Or on the other hand — perhaps the aisles, pews, altars and pipe organ are covered in thick cobwebs and giant, mutated rats have colonized inside the chapel to plot their domination. It’s all up for debate.

What immortal soil should we haunt next?

Haunting the Chapel [PART 1]

HAUNTING THE CHAPEL, PART 1.

For the 2025 Halloween season, Uncle T is HAUNTING THE CHAPEL.

Say what? Did someone drop an acid tab into his apple cider because what the hell does that mean?

Allow me to explain. Sometimes the first blast of what I like to call “Autumn power” hits you at the most unexpected moments. It could be in the middle of harvesting crops and swinging your scythe on a late September day and a chilly breeze fills the air. Suddenly it hits you. Or while browsing the drug store with your bratty kid sister on a back-to-school errand, you catch a glimpse of that beautiful, mouth-watering box of Cadbury Screme Eggs on display. Or it could be as simple as going for a walk! These small but powerful moments are the table setters. The sneak preview before the feature presentation and grand finale. Summer days might be care free, but Autumn is when we feel most alive.

It began when I hit the road this week to visit my ol’ Grandpappy who lives up north. I was driving his ’76 Ford Country Squire to drop it off because he was fixing my motorbike, which I planned to ride home after dropping off the station wagon and having a smoke with ol’ Grandpappy on his front porch. He likes to sit on his rocking chair all day, smoking his corn cob pipe and yelling at 18-wheelers that drive by.

For these types of excursions, I take to the back roads which are far more interesting than the interstate. Passing through villages and rolling valleys is like driving through a countryside portrait. Stone walls, pumpkin patches, colonial homes, rotting cornfields, a murder of crows, ancient cemeteries, apple orchards, old barns and every so often, that farmer standing in the middle of a field, wearing dirty overalls and giving me that “look”.

St. Matthew’s Chapel – Sugar Hill, NH

I drove through a mountain town called Sugar Hill and came to a bend in the road. When looking to my right, I laid eyes on the most stunning, little old chapel that made me drop my lit Winston onto my lap, almost driving Grandpappy’s rusty wagon into a large maple tree. I stopped dead in my tracks at this breathtaking but slightly ominous, forbidding structure that stood before me like a painting. It was as though I had arrived at something I had been searching for even though I wasn’t searching for anything.

I got out of the car and walked around the property, the sound of my boots crunching over the first fallen leaves on the ground. Not a single person was in sight and the town itself felt completely empty. I gazed in awe at the immaculate-looking chapel as the late afternoon sun mixed with a chill in the air. Goosebumps raised on my arm. The harvest moon hovered faintly over the chapel as dusk approached. I could smell smoke from a wood burning stove nearby, probably some old timer in a house down the road. This was my Autumn moment of power.

Unfortunately the chapel was closed at the time because I really felt like exploring inside its primitive walls. Searching for sacred objects. Forbidden passages. Secrets kept concealed for centuries. I would be instantly transformed into Father Malone from The Fog as I made my way around the church, looking for journals that reveal haunted tales of the past.

This Halloween season I plan on Haunting the Chapel which means locating and visiting the oldest houses of the holy (or unholy) that I can find. Cathedrals, churches, crypts, mausoleums, crematoriums, temples, tombs, catacombs, sacrificial pits and more! This quest will hopefully result in feeling what I felt when stumbling on this shrouded chapel in the mountains of New Hampshire.

Especially when bathed in the light and darkness of Fall colors, these medieval-like structures are something to behold. If by the end of the month we end up conjuring the dead or conducting an exorcism or two, so be it!

Truth be told, ‘Autumn power’ can come from something as simple as going for a walk. It’s another reason to love Halloween because often times the smallest, mundane activities become enhanced during the season. Whether it be the trees putting on a show of color or finding spooky cereals at the market.

Now go find yours. Or let it find YOU.

SUMMER OF OZZ.

It’s been a cruel, cruel summer. While in the thick of Camp TNUC festivities, panty-raids and the annual lower boat regatta, the devastating news broke of Ozzy Osbourne’s passing, just weeks after the huge Black Sabbath congregation in Birmingham, England. I think we can all agree that Prince Ozz’s death is a massive blow to everything we love about music.

However, all summer long it’s been a nonstop celebration of Black Sabbath and Ozzy and it shows no signs of slowing down, thankfully.

While most of the honoring has been blasting classics like “Electric Funeral”, “Symptom of the Universe”, “Johnny Blade” and “Bark at the Moon” over a roaring backyard fire, it’s also been therapeutic to ease back and expand my senses with some of the quieter, stranger moments from the Sabbath library.

Balearic Sabbath is a mixtape made in 2017 featuring some of the band’s soft-doom standouts. Give it a spin as you’re alone on the beach at 5am after a long evening. The song “Laguna Sunrise” starts playing and your swirling thoughts come to a focused, linear, relaxed state of mind.

“a perfect soundtrack to your next lost weekend…doom and despair have never sounded so groovy”
-Dangerous Minds

“the very softest of soft rock, shuffling gently along in a hazy fug of gently-strummed guitar and scattered bongo beats”
-Classic Rock Mag

CAMP TNUC PART IV: SUMMER CRUSH.

They say you never forget your first love, but that’s a load of bologna because what you really never forget is that first summer crush at Camp TNUC.

For proof, here’s an authentic letter from a satisfied camper in love:

So there you have it folks. Summer crushes can transform your entire experience at Boner Camp Camp TNUC. So much that “Counselor T” has crafted the next mixtape in honor of these exciting moments. So ease back in your favorite pool floatie, grab a cold Zima and crank up our 4th summer camp mixtape: Camp TNUC Part IV: Summer Crush as you think about your version of a Cindy Davenport.

A huge thank you to my fellow camp weenies Dan (artwork guru), Rad Chad, Denny “Tip Toe” and Swedish exchange student Bjorn for their continued support along the way!

OPTICAL RACE.

I started running. I don’t mean running for love, running for money or running in the heat of the night — but actual jogging. Though I’m not convinced at this point if it’s worth it, for the time being, I’ll keep running.

It probably has something to do with it being Spring. The season of new beginnings, optimism and ‘Optical Race’ — the 1988 Tangerine Dream album. The sound of this record represents a tidal shift in the band’s career, something that’s immediately noticed as these songs are more upbeat, energized and rooted in electronic rock.

The cover artwork matches the music perfectly as it features a die-cut runner over a multicolored inlay.

I’ve always unintentionally associated Tangerine Dream records with seasons of the year. It comes from somewhere in my subconscious but as the weather changes, I seem to gravitate towards certain albums of theirs. ‘Optical Race’ sees the group progressing towards richer, broader sounds of the late-1980’s with a more sleeker production. The album focuses less on dark, hypnotic themes of previous works but still remains extremely cinematic and powerful as ever.

Just listen to the track Marakesh which opens the record and you can almost see the morning dew on a fresh cut lawn, the sun coming up behind the mountains, followed by a crushing synth odyssey of mystic rhythms and technical mastery. It’s a delight.

This album also represented a new era for Tangerine Dream, not only in lineup changes as band member Christopher Franke was out of the band and also the first album to be programmed with a computer. Not just a computer but an ATARI.

Without getting too geeky on the technical side of ATARI ST computer recording production, just knowing that a pack of German synthesizer guys using ATARI to record music is fun to imagine. Do you think while Edgar Froese stressed over trying to get the right chord production, the other guys in the studio played Dungeon Master, Stunt Car Racer or The Secret of Monkey Island?

OK, let’s back it up because it’s getting a little nerdy around here. Before going for a jog this afternoon I had this weird idea of taking a few photos of ‘Optical Race’ by our local track & field. I like how it turned out and now we need to make a music video.

TANGERINE DREAM – Optical Race (1988)


(*NOT AVAILABLE ON STREAMING PLATFORMS….so buy the cassette, compact disc or vinyl!)